InterBEE REVIEW2012 (EN)

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34Unveiling the “FT-ONE” full 4K high-speed camera for the first time in JapanGreat interest in migration from base band to file base■Tell us about your main exhibits at this exhibition“Next-generation file-based solutions and the ‘FT-ONE’ full 4K high-speed camera were the main exhibits on display at this exhibition. We started providing file-based solutions from 2007 and we have continued to advance our products while incorpo-rating the views of customers. As a general overview of this technology, this year we strongly advocated the merits of file-based workflows that integrate and manage operations ranging from ingesting to editing, exporting and archiving materials.” “In addition, the FT-ONE camera is a product into which we have invested a lot of effort. It is equipped with the newly-developed ‘FT1-CMOS’ full 4K resolution/ high-sensitivity global shutter method CMOS color sensor, enabling super-slow motion photography at full 4K resolution and up to 900 frames per second. It can also record up to 9.4 seconds of RAW data at a full 4K resolution and 900 frames per second, and save it in the included standard internal memory. It supports simultaneous recording and playback of sports and live broadcasts. In addition, the camera is equipped with 2 HD output systems - the 3G-SDI 4 system and a HD output system for the viewfinder. Aimed at post-production work, this product allows data to be retrieved by SSD cartridge and it exhibits great power in shooting special effects for movies and so on. Incidentally, the FT-ONE was exhibited for the first time in Japan at Inter BEE 2012.”■What ideas did you come up with to display your exhibits?“Placing emphasis on the conversion to file base for local broadcasting stations, we gave specific file-based solution proposals as to what converting from base band to file base will change and what kind of management methods are required.”“We cooperated with our group company, EXA International, and produced a demonstration film about the FT-ONE. At a specially erected theater in our booth, we screened 4K super-slow footage that had been color graded.

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