Japan Post Production
Conference 2015（JPPC 2015）Prior Applications Required
Lecture Fee : 1 session (105 minutes) ¥11,000 (Consumption Tax Included), All 4 sessions (7 hours) ¥32,000 (Consumption Tax Included)
◆Venue : Room 101, International Conference Hall, Makuhari Messe
◆Organizer : 
◆Cooperation : 
◆Sponsor : 
The professional training course proven at NAB Show for 11years.
You can receive in Japan the world’s top-notch training course from the instructors who are actively producing and teaching all over the world.
Mr. Jem Schofield |
Jem Schofield is the founder of the C47, an online and offline educational resource focused on teaching the craft of video production and filmmaking. He is a producer, DP, director & educator and also runs The Filmmaker’s Intensive, a program that focuses on the art & science of documentary & narrative filmmaking. Clients include AbelCine, Apple, Inc., Canon U.S.A. Inc., Cineo Lighting, EMI, Manfrotto, Motley Fool, The New York Times, NPR, Quiet Revolution, Scottish Enterprise, TED, Tiffen, Westcott & Zeiss. |
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Mr. Robbie Carman |
Robbie Carman is a professional colorist with nearly 20 years of experience grading feature films, television, ads & promos for clients such as Discovery Channel, National Geographic, MSNBC, Conservation International, Sirens Media, Getzels Gordon and numerous independent film makers. Robbie is also the author of 6 books & numerous titles on color grading & editing for Lynda.com. In addition Robbie is the co-founder of MixingLight.com a website focused on the art & craft of color grading. In addition to his training, Robbie is a well known speaker appearing at industry conferences like NAB, IBC, Interbee, CabSat, Editors Retreat and others. You can follow Robbie on twitter- @robbiecarman |
The most up-to-date topics selected from around 200 programs given at NAB Show 2015.
11.18(Wed.)
| 09:00-10:45
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Session 1
Reservation Closed
Shooting 4K and Beyond (The Future of Production) : Mr Jem Schofield
- [Abstract]
- Choosing the right 4K, 6K and higher resolution cameras for your productions is a very important choice. In addition to choosing the right camera system you must be able to shoot with the camera effectively. Working with a particular camera’s features effectively and also using external devices for monitoring and recording can be critical to a project’s success. Especially at 4K and higher resolutions. This session will talk about and demonstrate what these choices really mean so that attendees can walk away understanding what they should be looking for in 4K and beyond camera systems to achieve cinematic results in documentary, corporate and narrative productions.
- [Audience]
- Producers, Directors of Photography, Camera Operators, Anyone that wants to under-stand how to successfully choose and work with 4K and beyond digital cinema cameras.
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| 11:00-12:45
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Session 2
Reservation Closed
From Production to Post: Working with Log & Luts in Production and into Post : Mr Jem Schofield
- [Abstract]
- Most modern digital camera systems allow for Log based recording. This “digital negative” gives productions a huge advantage in terms of what can be done with footage once acquired.
In order to work effectively with Log footage you must first understand its implementation in a particular camera system and how to work with Look Up Tables (LUTs), in both production and post to make the production to post workflow successful on a project.
This session will take attendees through the process of successfully working with Log in production environments by using scopes and display/monitor LUTs to make sure they are getting the most out of their recordings.
- [Audience]
- Producers, Directors of Photography, Camera Operators, Anyone that wants to unders- tand how to successfully work with Log in production and into post.
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| 14:00-15:45
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Session 3
Reservation Closed
Color Grading For a 4k Plus World With DaVinci Resolve：Mr Robbie Carman
- [Abstract]
- This session shows how to setup a DaVinci Resolve system to optimally work with the demands of 4k+ footage. Discover how to best approach grading Log encoded and Raw footage with Resolve including best practices for different Raw formats and working with LUTs. Learn how apply advanced color management to projects including using ACES and BlackMagic's own Resolve color management system. We'll also cover a wide variety of grading options with high resolution footage including framing & matting options, adding grain, and emulating popular film stocks.
- [Audience]
- Colorists, DPs, Editors
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| 16:00-17:45
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Session 4
Reservation Closed
Color Workflow With Adobe Creative Cloud：Mr Robbie Carman
- [Abstract]
- This session shows new color workflows using Creative Cloud applications like Adobe Hue, Premiere Pro, After Effects & SpeedGrade. Learn how to capture color and contrast in the field with your phone and Adobe Hue and then be able to use that information as as starting point for your color corrections in Premiere Pro & After Effects. Premiere Pro CC 2015 has made it easier then ever to color correct and grade projects with the introduction of the new Lumetri Color Panel, learn how to quickly make primary & secondary color corrections as well as create stylized looks with these new tools. We'll also cover the essentials of a Direct Link workflow with Adobe SpeedGrade.
- [Audience]
- Editors, DPs, Producers, Colorists
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*NOTE: Conference content and/or schedules may be subject to change at any time.
